Smiling Spider reviews Ten To Life
True Tales – Korean American Stories
Niche.LA featured in Arts District Citizen
Niche.LA presents Negative
Niche.LA Video Art presents “Negative”
digital photography by Cole Thompson
curated by Nic Cha Kim
LOS ANGELES, CA – From September 11th – October 25th, 2008, Niche.LA Video Art presents “Negative,” a collection of digital black and white photography by Cole Thompson.
Niche.LA participates in DigitalArt.LA
Niche.LA Video Art participates in DigitalArt.LA
digital international art expo curated by Rex Bruce
Rex Bruce and Los Angeles Center for Digital Art present:
DigitalArt.LA
CLICK TO DOWNLOAD DIGITAL ART LA MAP
Gallery Row’s New Signage Will Help Herd Downtowners
LA Weekly reviews Trapezoid
LA Times reviews Trapezoid
Lodestone Theatre Ensemble Presents World Premiere of ‘Trapezoid’
LA Taco previews Trapezoid
Niche.LA presents Gallery Rowan
NICHE.LA presents GALLERY ROWAN
video art by Ken Cravens, Lustre, Michael Allen & woodywise
curated by Nic Cha Kim
A video art explosion by Ken Cravens, Lustre, Michael Allen & woodywise
On March 13, 2008, Niche.LA Video Art presents Gallery Rowan, sponsored by Downtown Properties. A video art explosion on the side of the Rowan Building facing Spring St., artists Ken Cravens, Lustre, Michael Allen, and woodywise will project video art 6:30 – 10:30PM. Take a seat and enjoy complimentary popcorn in the Rowan parking lot as we light it up with the largest video art display to ever grace a Downtown loft wall!
World Officially Over – I’m a role model
Niche.LA presents Found Footage
“Found Footage”
new work by woodywise and Michael Allen
curated by Nic Cha Kim
LOS ANGELES, CA – On August 9, 2007 (12:00 – 9:00PM), Niche.LA Video Art presents “Found Footage,” featuring resident video artists woodywise and Michael Allen.
The Linda Lea Sequel
The Linda Lea Sequel
Rundown Theater to Be Recast as One-Screen Specialty Cinema
I know this is juvenile, but really – this woman royally screwed us and there’s nothing we could do about it because she has $66MM in the bank. I take consolation in the fact I’m not lazy like her only son. He’s utterly worthless.
I count it as a learning lesson. Don’t get in bed with the devil unless you’re ready to get screwed.
I have every email saved, every bit of correspondence saved, everything… she screwed us, plain and simple. We got nothing for 5 years work doing everything possible to renovate the Linda Lea into a state-of-the-art single screen. Oh well…
No regrets.
Gallery Row in Architect’s Newspaper
Niche.LA presents Pull For Peace
NICHE.LA VIDEO ART PRESENTS “Pull For Peace”
new work by Craig Ruda
curated by Trish Lamantea
LOS ANGELES, CA – On February 8, 2007 (12:00 – 9:00PM), Niche.LA Video Art presents “Pull For Peace” curated by Trish Lamantea, featuring digital artist Craig Ruda and video artist woodywise.
Craig was born and raised on Long Island, New York. After a move to New York, Craig joined the band Gods Child and later Joe 90. Gods Child released two albums “Everybody” and “Aluminum” for Warner Brothers Records. Gods Child’s first single “Everybody’s One” topped both the Billboard “Modern Rock” and “Album Rock” charts simultaneously. Joe 90 based out of Los Angeles released two albums “Dream This” and “A Raccoons Lunch” for Interscope Records.
Niche.LA presents 04/05/06
NICHE.LA PRESENTS 04/05/06
new work by Retna and Michael Allen
curated by Marcela Garate
LOS ANGELES, CA – On September 14, 2006 (12:00 – 9:00PM), Niche.LA presents “04/05/06,” curated by Marcela Garate, featuring digital artist Retna and video artist Michael Allen.
Los Angeles based artist Retna removes corporate advertisements of women from illuminated signs and embellishes them in a style that not only recalls Mayan and Egyptian hieroglyphs but even the aesthetic heights of Byzantium with its mosaic tiling of Christ and other deities. In one work, the well-known and ill-fated singer, Aaliyah, gazes upwards while color explodes like jeweled fragments around her. Retna’s intervention in these advertisements elevates the perception of the mostly anonymous females – fodder for representing desire and selling other objects – to a form of idolatry.